This article outlines the methodological innovations generated in a study of knitting and femininity in Britain. The study utilised ‘knit “n” natter’ focus groups during which female participants were encouraged to knit and talk. The research design encompassed a traditionally undervalued form of domestic ‘women’s work’ to recognise the creative skills of female practitioners. ‘Knit “n” natter’ is a fruitful feminist research method in relation to its capitalisation on female participants’ creativity, its disruption of expertise and its feminisation of academic space. The method challenges patriarchal conventions of knowledge production and gendered power relations in research, but it also reproduces problematic constructions of gender, whi...
We discuss the emergence of the craft movement known as Stitch’nBitch. Prevalent around the gl...
This thesis explores the process of female making as a creative and socio-political act and how/wher...
My thesis looks at the work of female contemporary artists who use what has historically been consid...
This article analyses experiences of crafstmanship within a group of women weavers. It looks at the ...
This article emerged as the product of a collaboration between two individuals at different stages o...
This article explores the possibility for researchers to embrace the unpredictability of focus group...
This study investigates feminism, masculinity, and community in the modern knitting world. Knitters ...
This thesis explores the potential that feminist participatory action research (FPAR) offers to stim...
Concepts, devices and practices have proliferated considerably since the signifier ‘feminist’ was fi...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
On Wednesday 27 September 2017, LSE Gender PhD students organised an event titled Why feminism? An o...
Reflecting on a range of qualitative research studies, this workshop considers the ways in which cre...
This article explores the application of feminist method in the context of contemporary scholarly ef...
This article challenges representations of so-called ‘third wave’ feminist politics which have over-...
This article outlines the central components, foundations and key activities of the Feminist Museum ...
We discuss the emergence of the craft movement known as Stitch’nBitch. Prevalent around the gl...
This thesis explores the process of female making as a creative and socio-political act and how/wher...
My thesis looks at the work of female contemporary artists who use what has historically been consid...
This article analyses experiences of crafstmanship within a group of women weavers. It looks at the ...
This article emerged as the product of a collaboration between two individuals at different stages o...
This article explores the possibility for researchers to embrace the unpredictability of focus group...
This study investigates feminism, masculinity, and community in the modern knitting world. Knitters ...
This thesis explores the potential that feminist participatory action research (FPAR) offers to stim...
Concepts, devices and practices have proliferated considerably since the signifier ‘feminist’ was fi...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
On Wednesday 27 September 2017, LSE Gender PhD students organised an event titled Why feminism? An o...
Reflecting on a range of qualitative research studies, this workshop considers the ways in which cre...
This article explores the application of feminist method in the context of contemporary scholarly ef...
This article challenges representations of so-called ‘third wave’ feminist politics which have over-...
This article outlines the central components, foundations and key activities of the Feminist Museum ...
We discuss the emergence of the craft movement known as Stitch’nBitch. Prevalent around the gl...
This thesis explores the process of female making as a creative and socio-political act and how/wher...
My thesis looks at the work of female contemporary artists who use what has historically been consid...